Thursday, May 9, 2013

Madness I Say!

Across the semester, we looked at several pieces of literature that dealt with many different themes. One theme in particular that I caught that I will go further in depth is the issue of madness throughout just about everything that we read.

Madness: noun; the quality or condition of being insane

Madness seemed to be a real issue in this time period as demonstrated throughout the literature. Some of the different stories that come to mind are Castle of Otranto, Romance of the Forest, Lenora, Confessions of and English Opium Eater, Expedition to Hell, The Sailor Who Served in the Slave Trade, Rhyme of the Ancient Mariner, The Case of Dr. Jekyl and Mr. Hyde, and of course Alice in Wonderland. All of these titles have issues of madness ingrained into them and one might even argue that madness is what holds these pieces of immortal literature together. But why is this important?
Madness is a very curious thing. It’s one of the few diseases where the victim has no idea that there is anything wrong with them in most cases. The act of being mad is virtually to be insane and the gothic genre of literature as well as that of nonsense is by far the best at portraying this. The gothic genre illustrates the horrors of such a disease while the nonsense genre brings to light the silliness that can ensue from the disease while also smacking you across the face with reality and criticisms of society.

Individuality is Madness

Another thing about madness is that it is defined technically as being “insane.” But what is insanity? As Tiffanee mentions in both her presentation and her post titled Psychological Obsession, “The gothic period is so interested in the psychological state, and understanding more than what we can readily see that this is the beginning of a very difficult time for female protagonists, and for women living in this era. Female sexuality is seen as madness, and many women were "medicated" by barbaric means of hospitalization and were often locked up in asylums for having sexual needs of desires.” This brings to question that madness can only be defined based on the culture that it is trying to be defined in. Another example of this type of madness is also seen in Lewis Carroll’s Alice in Wonderland. “And how do you know that you're mad?” “To begin with," said the Cat, "a dog's not mad. You grant that?" I suppose so, said Alice. "Well then," the Cat went on, "you see a dog growls when it's angry, and wags its tale when it's pleased. Now I growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad.”

This is an example that just because things are not the norm, it means that it must be madness. This was a very common thing during the time period because the concept of thinking for your-self and being unique was not widely accepted. You were meant to fall in line and to do and believe what you are told. The introduction of nonsense literature and the Gothic helped challenge these paradigms.

The Horrors of Madness

Another version of madness that appears throughout our study of 18th and 19th century literature is the horror which can come from madness. This is evident in The Bloody Chamber with the Marquis having a room full of dead girls and Manfred in The Castle of Otranto. Madness can make people do some pretty nasty things and it’s no surprise that it can be pretty gruesome. It reveals the evil in the world and can harm those around as well as the individual experiencing the madness. “Confessions of an English Opium Eater” also demonstrates this, only it is self-inflicted through the opium. He becomes locked in his own head along with hallucinations and going days without sleep. If anyone has experienced that it is not fun in the least. Sleep deprivation alone could drive you to madness. I could not imagine adding opium to the mix.

This is the image used for DeQuincey’s book and it truly shows just how maddening it can be when you are operating under heavy drug use and sleep deprivation and hallucinations. You can tell by the wrinkles in his face along with the emotions that he is deeply disturbed.

Madness is Bliss

In the case of Alice in Wonderland, it uses the concept that madness is bliss. It does this through a number of different ways. “But I don’t want to go among mad people," Alice remarked.

"Oh, you can’t help that," said the Cat: "we’re all mad here. I’m mad. You’re mad."

"How do you know I’m mad?" said Alice.

"You must be," said the Cat, or you wouldn’t have come here.” 

Lewis Carroll was a master at making light of madness and making it seem fun. That is where madness becomes bliss. It is no longer terrible or something of horror but something of “Oh bless their heart” type of scenarios.
The reason that I chose this image is becuase I feel that it illustrates the madness as bliss analogy. I also find it ironic that she is talking to a giant Do-do bird while she thinks that she is normal.

Driven to Madness

One way that a person could become mad is through a tragic event taking place. This is demonstrated very well in “Lenora” as her love has dies but returns from the dead to take her on a ride on his horse and she in turn dies from her madness through her grief. There is also the idea of escapism that is so beautifully captured in the Importance of Being Earnest. While this would also apply to the Madness as Bliss section, it also belongs here as without the event to escape from, there would be no need to escape.
In conclusion, madness can be defined through many different aspects. The layout and wording of this post was entirely intentional to provide a sense of irony as well as demonstrate the point of madness. If anything does not make sense than that is the reason why. Madness throughout the semester as a recurring theme was a very interesting topic and it was a very interesting one to research as well.


1 comment:

  1. My apologies for the text being weird. I accidentally highlighted it at one point and couldn't figure out how to reverse it.

    ReplyDelete